The Last Knits of 2017 and Then Some

You wouldn’t know it by the snow falling outside, but it’s 2018 and the frenetic season of gift knitting is over and done. Well, not done for me. There’s still a few unfinished projects still on the needles, but they’re smaller things. Still, I am happy with what I did get finished, and it’s no small amount of knitting.

A Palindrome Scarf and a hat to match

2 Nautilus Ornaments

This is the second time I’ve knit the Elder Tree Shawl as a gift. One of these days I’ll make one for me. The pattern can be subtle or so so dramatic, especially if you add beads to every leaf. I used a single skein of Colinette Jitterbug which made a shawl-ette perfect for wearing tucked in to a coat. I also added beads to the picot bind off for extra sparkle.

I wasn’t sure what to make for a friend of mine, so I asked her what she wanted. She requested baby socks. Funny how well asking works. I picked up 2 skeins of Patons Kroy Socks FX, each a different color, and got to work. The charts in Kate Atherley’s Custom Socks where really helpful for getting the measurements I needed once I knew the length. As for the pattern, I used my my own basic toe-up recipe and sized it down. Both pairs came out pretty cute if you ask me, and there’s room to grow too.

I tried something a little different last year and put something for myself on the gift list too, the Owl in the Thicket hat. It wasn’t a reward for finishing everything else, but a gift for myself because why not. I bought the pattern and the yarn a year ago and never made it to casting on. So I pulled out one of my favorite knitting bags and made a kit. I wound the yarn, printed the pattern, got the right needles, put the beads on my Fleegle beader, and gathered all the notions. While I didn’t actually cast on until after New Year’s Day, it was so nice to have that kit ready and waiting. I’ve finished the brim and am a few rows into the body charts. It’s been awhile since I’ve knit such a complicated chart, and I’m enjoying the change of pace. The yarn is lovely too. Why did it take me a year to get started!?

As for the stuff I didn’t finish, the first projects was a pair of socks for the Bearded One. Still working on the cable design for that one. The other is a hat which I’m halfway through designing. Plus, there’s a handful of ornaments from previous years which I haven’t started yet. At least I have a plan. Is anyone else finishing up their gift knits in January or getting on with the new 2018 knits instead?

A Trip To The Frog Pond

This hat is my white whale. Okay, that might be a little bit of an over statement, but this pattern has been lingering in my “Get It Done” list for years. It’s not that I’m not excited about this pattern or that I don’t like it anymore. Both of those things are still true even 4 years after I first sketched up the initial design and agonized over the color work chart. 

So why the hold up? The hat and my notes on how to make it didn’t get back in my hands until last year. And it wasn’t until the last few months that I started getting everything together to write a pattern that someone else could knit. Detailed notes that you can find are the best. Seriously. Everything sounds good right? Well, there’s one more thing to do before I can get to the important stuff like photographs and tech editing and publishing it. 

As much as I love the color work and the colors, there is one thing that I really don’t like about this hat. It was bound to happen after 4 years after all. The crown and length of this hat is way too long. I love a good slouchy hat, but this is not a good slouchy hat. It just looks weird, and not in a fun way. So it’s time to take a pair of scissors to my stitches and rip out the crown and a few extra inches. Definitely not starting over from scratch. At this point having to rip out part of a project, even a finished project, isn’t frustrating. It’s just a step in the process of making something both that I’ll want to wear and share. Now where did I put those scissors…

A Knitting Conundrum

This is a sock toe, and the first of a pair that I’m making for the Bearded One. It also happens to be one of my most confounding pieces of knitting I’ve got going right now. Not because it took frequent try-on’s to make sure the stitch count is correct. Not because of its 76 stitch circumference. Not because I’m knitting the sock inside out so I can skip purling a princess sole. Nope, all of that stuff is stuff I’m used too - even knitting a pair of socks inside out.  The problem is that I can’t decide what stitch pattern to use over the top of the foot and up the cuff.  

My original back of the envelope plan was to work an alternating 2x2 rib for the entire sock. For example, *k2,p2* for 8 rounds, and switch to *p2, k2* for another 8 rounds. Repeat until bind off.  Now I’m not sure. 38 stitches for half the sock is a lot of space to cover, and I wanted to add some interest both for the eye and my fingers. And of course I want the Bearded One to like them too. Does that mean cables? A simple texture pattern? Some sort of edge detail going up the side of the foot? I have no idea. Good thing the yarn is pretty and nice to look at while I ponder my choices.

Any tips to help me solve this knitting conundrum? 

Red Scarf Update

At 28” and 9 repeats, I’m about halfway finished with the Mabel’s Scarf I’m making for the Red Scarf Project. 32” and 11 repeats to go. I couldn’t resist doing the math and figuring out how many repeats I’d have to knit for a complete scarf. Counting the squares is a lot easier than breaking out the tape measure every few inches. 

The yarn, Shepherd’s Wool Worsted, is new to me. Now that I’ve spent a good chunk of time knitting with it, I like it even more than when I first bought it. The yarn is soft with good stitch definition, and is turning into a cushy and warm scarf. I’m tempted to pick up a few skeins for myself once I have an idea in mind.

I’m really enjoying working on this scarf, but I’m not used to counting this much! It’s been awhile since I’ve knit a pattern with such a large repeat, and I’ve had to get cosy with a chart. Makes it hard to tote around, but that doesn’t mean I haven’t tried. Soon it’ll be too big to keep as purse knitting since I’m making good progress. My original plan was to knit a repeat every day, but I haven’t been able to stick to that. So the new goal is 3+ repeats a week which will still give me plenty of time to put the scarf in the mail. And work on the next batch of holiday knitting. 

If you’ve been on the fence about making a scarf, there’s still plenty of time to knit a scarf for the Red Scarf Project before the December 15 deadline. You can find the requirements here. And there’s a helpful Ravelry group too. 

Knitting for the 2017 Red Scarf Project

There’s a few days left in August, and I’ve already written down my holiday gift knitting list. It’s on the short side so far and the projects are mostly small stuff. Hats, a few scarfs, a pair of socks, and probably a few ornaments. Seems doable, right? Near the top of that list is a scarf for the Red Scarf Project. The project is run by Foster Care to Success which provides scholarships, coaching, care packages, and an emergency fund to help foster kids graduate from college. The Red Scarf Project sends out hand knit red and crocheted scarves as part of Valentine’s Day care package. The due date to send in the scarves is September 1st through December 15, 2017, and I’m going to mail mine off before December this year. 

I had a back of the envelope plan to knit another Melded Scarf, a pattern I designed last year for the Red Scarf Project. If you want to knit a scarf for the project too, you can download the pattern here. 

That plan changed when I joined up last minute with Yarn Along The Rockies, a widespread yarn crawl, and stopped by Gypsy Wools. They had a lovely selection of yarn, and I loved the look and feel of Shepherd’s Wool. I bought 2 skeins of a nice garnet red because I couldn’t settle on a color combo that I liked. 

Since you can’t knit a striped scarf with just one color, I had a to find a new pattern. There was a bit of a false start with a cabled scarf that was way too narrow for my liking. Nor could I get into a rhythm with the knitting. Back to the drawing board. This time I went digging through my Ravelry queue and found Mabel’s Scarf which has been on my list since 2013! It’s been 4 years, and this isn’t always the case, but I still wanted to knit the scarf. Having a 20 page queue pays off occasionally. 

I frogged the 2” of the first scarf and started over. I added a few stitches of 2x2 rib as an edge to accommodate for the finer yarn and started knitting with some Netflix for company. This scarf is definitely a winner. It’s got texture and interest. It’s cushy and soft. It’s reversible. It’s also interesting to knit, but not finicky. 

And I’m enjoying working with Shepherd’s Wool. It’s the first time I’ve used this yarn and it’s a plump 3-ply wool that love the look of. Plus, when you get a close look at it, it’s heathered with navy blue. The yarn is just as soft knitted as it is in the skein, but I wouldn’t recommend ripping it out too many times or it’ll get fuzzy.

I’m only a few inches into the scarf, but I can already tell it’s going to be my constant companion during movie and tv time. I’m already back to my old habit of knitting and watching sci-fi and horror movies. I’ll keep you updated as it grows!

Places You Can Knit: Solar Eclipse Edition

A post shared by April Klich (@aprilklich) on Aug 22, 2017 at 2:30pm PDT

Places you can knit when on a last minute trip to see a solar eclipse:

In a car heading up the interstate in the middle of Wyoming. Bonus points, if you can watch the sunrise while you do it. 

Waiting for a table and breakfast at a tiny greasy spoon.

Relaxing in a field with thousands of your closest friends while you count down the minutes to the solar eclipse.

Of course, you can take a random break to photograph the countryside too. 

I suppose you could knit during a complete solar eclipse, but why risk missing the event you drove 4 hours to the middle of nowhere to see? And that tiny little speck to the left of the eclipse is Venus.

Totally worth it by the way, even considering the 8+ hour drive it took to get back home. 

Stuck waiting in massive traffic jams just to get back on the interstate. 

And, finally, at home after a good night’s sleep.  

The Bearded One and I took a last minute trip to see the solar eclipse. Seeing the complete totality and standing in the shadow of the moon was an amazing experience that I’m glad we didn’t skip. Traffic be damned. 

I was a reasonable knitter and only brought one project, a handspun shawl, (and a book, sketchbook, and games) to get me through 12+ hours of traffic. I’m using a yarn I spun this year during Tour de Fleece that cried out to be a Boneyard Shawl. So a Boneyard shawl it’ll be. I didn’t knit as much as a I expected too because I was tired lump. I did put a few more rows on it today, and it’s been fun working with this yarn. Really makes me want to knit with more of my handspun. 

Were you able to see the eclipse too? 

Excited About Knitting Again

I have not touched my spinning wheel since Tour de Fleece. Well, that's not entirely true. I did move it to a different spot where I wouldn't trip over it all the time. After spinning everyday for more than 100 days, it's weird to realize that I haven't spun anything for weeks. Making yarn was such a big part of my routine, and now it's not. I'm sure I'll get back to my wheel soon, but all my creative mojo has gone towards using yarn instead of making it. I have been knitting so much recently. And planning a bunch of future knitting. I even started writing up my Christmas and holiday knit list. And we're only halfway through August!

I’ve finished and blocked both the Regina hat and the Feeling Groovy shawl. More on those later. 

I bought a sweater's worth of Cascade 220 Superwash Effects and the Ease sweater pattern! The package arrived this morning and I am positively smitten with the yarn. Can’t wait to get swatching.

I finished a swatch for a new design, but I haven’t figured out all the details. I'm not sure where to take the pattern next because I have many questions and ideas about what to try next. 

The Bearded One has been patiently waiting for a new pair of socks so I pulled out some yarn to make that happen. This is a long term purse project right here. I tried knitting him a pair of socks with this yarn before, but ripped them out for some reason. Hopefully, I’ll have better luck with the yarn this time around.

On the holiday knit list is a scarf for the Red Scarf Project. Probably going to knit another Melded Scarf and mix up the color scheme a bit. Red and blue, maybe? Or 2 different shades of red?

The most recent project on the needles is a new kitchen towel. Dug into the stash, pulled a couple balls of cotton out, and cast on for the Lizard Ridge Dishcloth. It's been a really fun knit, and now I really want to make the Lizard Ridge blanket. 

The Tour de Fleece yarn has been calling my name too. Pretty sure I’ll be casting on for a Boneyard Shawl soon, because why not?

I haven’t forgotten about my big spinning projects. There’s the 4 alpaca singles waiting on the bobbins, and writing up my notes so I can move to the next step of the Epic Green Spin. I’m really enjoying and excited about my knitting right now so I’m not rushing back to my wheel just yet. 

What about you? Is there a project you’re really excited about?

Tour de Fleece 2017

And that's a wrap! Another Tour de Fleece is behind us. If you spun along this year, I hope you enjoyed yourself and made handspun you can't wait to use. 

While I didn't spin every ounce of fiber I pulled from the stash, I'm still pleased with what I did accomplish. I started spinning just for the fun of it with the rough goal of making a heavier than a sport weight yarn. Definitely succeeded on that count. The first skein of the Tour is a textured bulky yarn and the closest I've come to spinning art yarn in awhile. It's 158 yards of Shetland Wool, Alpaca, and Silk Noil. You can read more about the technicals of how I spun it here. 

The second skein started as 4.2 ounces of hand painted top and turned into 260 yards of aran weight. I split the top in half down the middle. The first ply I spun as is and second I split in half again. It made a nice lazy fractal that I really want to knit. Pretty sure I've got enough yardage to make a small Boneyard Shawl if I knit at a loose gauge. 

I spent the last chunk of Tour de Fleece doing some challenge spinning: 4 oz of alpaca batts. Plus, I got to check "Spin a batt I made myself" off my goals for this year. My previous attempts at spinning alpaca turned out wiry and over twisted, and I wanted to do a much better job with this batch. Obviously, I haven't plied it yet but I'm pleased with what's on the bobbins. It's got a reasonably smooth surface and is still soft. Seems like it's got enough twist to hold together during plying too. I'm cautiously optimistic about getting a soft, cushy yarn that'll do justice to the 10 years I've been waiting to spin this precious fiber. 

What I didn't do much of was play around with my drum carder. I got 2 batches of fiber through for one pass each. Then I hit a snag. The locks I'm working with are a bit felted. Teasing them open helped get them onto the main drum, but a good quarter of the fiber stayed trapped in the tines when I peeled the batt off. Got any tips for picking the fiber off the drum? I haven't found a good solution that doesn't involve teasers and a lot of time. 

Drum carder snag aside, this was a good Tour de Fleece. I enjoyed spinning everyday - even on rest days - and spun just for the fun off it. I joined a few teams and had fun sharing and talking to other spinners. I’m pleased with all my new handspun, and even have a few ideas of what to do with it. So I’m calling this Tour a win. 

How did this Tour de Fleece go for you? Did you learn something new or try a new fiber? Spin a lot or a little? Make yarn you can’t wait to use? 

Tour de Fleece 2017 Challenge

I admit that I haven’t really been keeping track of the day to day calendar of Tour de Fleece. When are the rest days? No clue. I’ve just been spinning every day and having fun with it. The only reason I figured out Sunday was a challenge day was because I happened to check the forums that day. By some random happy coincidence I just so happened to have some challenging spinning.

If you’re not familiar with Tour de Fleece, or Tour de France, there are 3 challenge days when riders tackle mountains with steep grades above 10%. Spinners get to set their own challenges. I was fairly sure that I was going to tackle some sort of art yarn construction. Instead I pulled 4 oz of alpaca batts out of the stash. I haven’t spun a lot of alpaca, and my last attempt had so much twist that it was a wiry, prickly beast. So I’ve been hesitant to try again. Making the mental hurdles even taller is that fact the Bearded One gave me this fiber when we were dating many, many moons ago. I’d had it for several years and it was scary enough to put the fiber through a rented drum carder in 2013! 

Let’s do a little math. The shearing date on the label says 2007. I turned the alpaca fiber into batts in 2013. Now it’s 2017. I’ve had this fiber stashed away for 10 years! To cut myself a little slack, I was only just getting into spinning in 2007 and didn’t truly learn for several more years. Still, 10 years is way too long for such beautiful fiber to be hiding away in my stash. 

The batts are 100% alpaca and one solid color. Since there was no need to preserve color sequences, I split the batt into strips and started spinning. I wanted a smoother fiber and went with an inch worm worsted draft and an 8.0:1 ratio to keep from over twisting the fiber. 

I finished drafting the first batt yesterday, and it was much simpler than I expected. Could be that my spinning has improved in the years since I last attempted spinning alpaca. Could be that my brain made things much harder than they had to be. Sometimes the mental hurdles are the hardest to jump. 

This fiber is special and I don’t want to waste a single bit of it. The batts aren’t all the same so I’m going to spin each one separately and ply them back on themselves. Sure, it’s more work, but I could use the practice. And I can’t help but picture how cute 4 little skeins are going to be. 

And in non-challenge spinning, I finished plying the 4.2 ounces of hand painted green top! I know I said the galactic handspun was the most yarn I’d ever packed a bobbin, but this skein beats even that. I hand wound a good chunk of the yarn onto the bobbin, and don’t think I could get another yard on there if I tried. Really curious about how much yardage is packed on there because I’m tempted to turn it all into a Boneyard Shawl.

The End of #100HandspunDays

Wednesday, July 12th, is the official end of The 100 Day Project. I have spun yarn, swatched with said yarn, and fiddled around with my drum carder to prep fiber to spin into yarn. There was one day at the beginning when I completely forgot to spin something until I was tucked into bed, but the other 98+ days have not lacked yarn or spinning or fiber. 

I started this project with 5 goals that I thought would be easy to do over and over again for 100 days. 

1. Sit down at the wheel and spin! - This part was pretty easy and what I did for most of the project. 

2. Fiber prep counts. So taking a few days (or weeks) to learn how to make batts or practice hand carding is encouraged.  - I didn’t do as much of this as I thought I would. My lofty idea that I’d be churning out batt after silky batt didn’t happen. I did pull out some locks and start figuring out my drum carder’s quirks though. 

3. Work out of the fiber stash and see just how far it’ll go. - I have bought the occasional bump of fiber and gotten samples to spin from classes, but the bulk of my spinning has been from stash. The stash bins do look a little emptier.

4. On busy draining days, reading about fiber, breed characteristics, and yarn construction is a-ok. What good is having a spinning reference shelf if I never use it? - This didn’t happen outside of my usual blog reading, which I do regret. Maybe my next bookshould be Yarnitecture by Jillian Moreno? 

5. Share the day’s spinning on Instagram and in blog posts. I’m using #100HandspunDays to keep things organized.  - I shared some of this project on IG, but my attempt at this really fell flat. I did share a lot about #100HandspunDays here though.  Thanks for following along!

I took Maggie Casey’s class You Can’t Tell A Braid By Its Color and learned about different ways to spin color.

I spun lots of little sample skeins.

My creative mojo came back.

I finished spinning a long purple gradient that had been lingering on the bobbins for far too long.

Then I started a new big project, 500+ yards of fingering weight yarn. Learned to love spinning sample mini-skeins too.

And I spun just for fun with batts and other little stashed treasures.

All these months of spinning made it a lot easier to plan for Tour de Fleece.

I somehow tricked myself into thinking #100HandspunDays ended last Sunday. So these last few days seemed like a surprise bonus. When I thought that the project was over, I was surprised at how strongly I didn’t want to stop. I want to keep spinning and to keep learning more about spinning. Besides from getting me a lot of great new yarn, #100Handspun Days has shown me that I’m not ready to give up on my wheel and making yarn. It’s something I still enjoy and want to do. Sure, there will be times where this need will ebb and flow, but it’s not going to dry up over night or over a couple months. 

Once #100HandpunDays is officially over, I’ll be putting my spinning motivation into Tour de Fleece. The past week’s project has been 4.2 ounces of hand painted top. I split the top in half down the middle and spun the first ply. I split the other half in half again to create shorter color segments for the second ply. Almost finished with the second and then it’ll be time to ply. I’m curious to see how the yarn comes together.

Off to the Races - Tour De Fleece 2017

Tour de Fleece kicked off on Saturday! What’s Tour de Fleece? It’s a giant, international spin-along that runs along side the Tour de France. This is my 4th year spinning with the Tour, and I wholeheartedly recommend joining up if you’ve been on the fence. It can be a personal challenge or a team affair or both! It’s still early and not too late to start.   

I’m not setting a ton of complicated goals this year, but keeping things simple. Spin every day. Work from stash. Spin a few batts I’m going to make on my drum carder. Anything else is a sparkly bonus. 

I tossed my fiber stash out of its bins a few days before the Tour kicked off and it looked like a wooly explosion. There was roving on my desk and couch. There were batts on the floor and chilling in the corner. Hand dyed fiber everywhere. By the end of it, I’d picked what I want to spin and better organized the fiber stash. Here’s what I’ll be spinning for the next few weeks. 

• A giant 8 oz batt. Not sure exactly what I’m going to do with it yet, but it was taking up too much room to keep hanging around.
• 4 oz of Dudley Spinner hand painted top. I fell of the sheep last week and bought this to spin during the Tour. Totally counts as spinning from the stash since I got it before Tour de Fleece right?
• A bundle of 100% alpaca batts I made several (maybe 4) years ago on a rented drum carder. Way past time to see how these spin up. 
• A Fiber Preparedness Kit from Wild Lily Artisan Fibers. It’s got punis, dyed locks, and random bits of dyed roving. Thinking this will be challenge day material. 
• The Epic Green Spin is also on the list. Still working my way through sampling and swatching, but I hope to start the final yarn during the Tour.
• 4 oz of top that just looks fun to spin. 

I wanted to kick of the Tour with something fun and easy so I started with the 4 oz of carded roving. It’s a blend of shetland wool, alpaca, and silk noil. Just looking at all that silk noil, I knew there was no way it would turn into a smooth, even yarn. So I drafted long-draw and occasionally double drafted the larger chunks.

I ended up with 2 almost overfilled bobbins that I plied last night. Not even the bulky flyer with a jumbo bobbin was big enough to get all this yarn on by itself. Once no amount of tension would feed yarn onto the bobbin, I had to do it by hand. It went something like this: ply as long a length of yarn as my arm would allow, wrap yarn around my fingers, turn bobbin to slowly feed yarn onto said bobbin, and repeat. Not a quick process, but I got all the yarn plied. No mini-skeins here! And the bobbin is absolutely packed with bulky yarn. Can’t wait to get wound into a skein and see how much yardage I have.  

I also pulled out the drum carder, and I’m starting simple with this too. The carder is new-to-me and I haven’t used it until a few days ago. Before I get into making complicated multi-fiber art batts, I wanted to see if the carder had any quirks. Last year I bought 4 oz of dyed wool locks to try out the carder, so I started with them. The fiber is slightly felted so it’s more difficult to process than I expected. And taking way longer to process than I expected. I’ve been putting on a little bit at a time since Friday afternoon, and I’m about halfway through the first pass. I’m pleased with what I’m getting off the carder and plan on putting the fiber through at least once more to smooth it out. Maybe by next week, I’ll have a few new batts to spin. 

So that’s how my Tour de Fleece is going. What about your Tour? Keeping your spinning simple or doing something big? 

Ditching Silly Excuses

Sometimes my knitting projects sit around for the silliest reasons. Like this one. It’s the Feeling Groovy shawl by Nim Teasdale. I started it last year as a bit of selfish knitting after finishing all my holiday gift knitting. I was making good progress on it too until I added another step. I wanted to know how many repeats I could work before starting the decreases.  

Step one involved measuring how much yarn I had . Step two was working up a repeat, or two, or three. Step three, measure how much yarn I used. Step four, do the math.  

Enter the silliest reason to hold myself up. I did weighed the yarn and then got stuck on the knitting a repeat or two. I made lots of excuses why the time was never right to knit the repeats, and made the whole process much harder than it had to be. Ugh. Then a bunch of other important must-do’s came up and the shawl languished in a project bag for a few months. Eventually I needed new purse knitting and this shawl was the easiest thing to grab. The shawl was getting bigger but I still needed to know when to start the increases. 

Side note: The pattern has some helpful notes on when to start the decreases, but I’m knitting the shawl at a tighter gauge. So I have to do my own yardage calculations for this. 

I went back to step one, kept detailed notes, and got to work on the calculations. Spreadsheets make this kind of number crunching pretty easy, but it’s still time consuming. A couple of uninterrupted hours later and I knew the absolute latest point to start the decreases and use the most yarn. The good news? There was only 1.5 repeats between me and the first bind off. 

I haven’t been able to put the shawl down since. It’s been my constant companion during long drives, low key parties, and tv time.  And I bound off the first point yesterday! There’s still a lot of stitches between now and binding off the last stitch, but it won’t take long at the rate I’m knitting. If I hadn’t let some silly excuse hold me, I’d probably be wearing this shawl right now. Well, it’s summer, so probably not right now, but maybe during that last surprise snow storm. 

Sampling To Spin With Purpose

A good friend of mine has said for years that she’d like to knit with my handspun. I kept the request in the back of my mind, but didn’t really take it seriously until I was able to consistently spin the kind of yarn she liked to use. That would be fingering weight yarn. We settled on 2 choice skeins of 100% cashmere as equitable bribery, I mean compensation, and I got to work.

The first step was finding the right fiber. My friend likes to knit complicated lace shawls and wants to make one with this handspun. So right off the batt, I had a clear set of requirements to meet:

• The yarn should be a 2-ply fingering weight.
• The final yardage should be between 500 - 600 yards.
• The colors need to be similar in tone and hue so they won’t distract from the lace. 
• She likes to work with wool and wool/silk blends.
• Preferred colors are dark blue or emerald green. 

I’m happy to have these very specific requirements, because they take a lot of the guesswork out of the process. Instead of constraining me, knowing the end goal for the yarn makes it easier to spin. I get a clear vision of what I’m working toward from the beginning which is rather freeing. As much as I enjoy spinning for the fun of it, finding something to do with that “just for fun” yarn can be frustrating. 

It took me a few months of looking around online, in stores, and at festivals before finding fiber I thought would work. After getting an okay on the color, I ordered 8 oz of Dreaming in Green, a BFL/Silk blend from Three Waters Farm. I’m not going to need all 8 oz for the handspun, more like 5 or 6 oz. Those extra ounces are for sampling. Before I dive straight in to spinning 600 yards of fingering weight handspun, I need to make sure I am. It’d be an expensive failure if I made 400 yards of worsted weight by accident. Sure, the yarn would be pretty, but not what we want. 

Sampling will help me figure out the right ratios and tension for my wheel. I’ll be able to fine tune my worsted drafting for a wool/silk blend. Equally as important, I can try out different methods of handling color to find what works for lace. Then I can wash and set the twist on the sample skeins to see how that changes the yarn. I’ve spun many a yarn that looks like a sport weight when it comes off the bobbin and blooms to an aran weight after setting the twist. That cannot happen this time.

So I pulled off 2 oz to experiment with. There’s no deadline and I’ve got time to answer any questions that comes to mind. I might even knit a few swatches. Time to get sampling. 

And Now There's Swatching

I usually keep a knitting project in my bag for when I’m out and about, but not in the past few weeks. None of my other projects are suited for purse knitting. They’re too big, too complicated, or too bulky. So I’ve got to start something new so my bag doesn’t feel worryingly empty. 

I want to make a pair of mitts from my Sockhead leftovers but I can’t decide how just what I want the pair to look like. Plus it’s hard to design a pattern and write down the instructions standing in line at the grocery store. Socks, my usual travel project, aren’t all that exciting right now. What I really want to knit is another hat from fingering weight yarn. I even picked out a pattern, Regina by Alex Tinsley. 

Casting on willy-nilly for a fingering weight hat seemed like a bad idea so knit a small swatch last night. It went well until I started the pattern. I managed to muck up the lace on row 3. Not a good sign. And I definitely need a cable needle to work the cable twist. Plus, I’m not a fan of how firm the fabric is working up which means I need to go up a needle size or two. 

The swatch wasn’t a total waste though. The ribbing looks good and stretchy on the current needles which is a good start. I like how the yarn, Knit Picks Hawthorne Kettle Dye in Picnic, is working up too. It’s a good fit for the pattern and adds interest without overwhelming the lace and cables. 

After a bit more swatching with a larger needle or two, I’ll be able to cast on for real. The ribbing will be good purse knitting after all. Still not sure what I’m going to carry around in the mean time. 

Bringing Back The Creative Mojo

There’s been a lot of making going on around here, and I have #The100DayProject to thank. I was in a bit of a making rut the past few months. Didn’t really want to knit, spin, or draw beyond the simplest doodle. Reading, video games, and staring on my phone claimed my free time. I don’t regret how many books I read or hours spent playing games, but I knew I’d need a push to get making again. #The100DayProject turned out to be just the thing. 

I had started spinning the big purple gradient in March in bits and pieces. It certainly wasn’t the every day project that it is now. I’m glad that changed because there’s no way I’d have 4 finished skeins and have started the 5th otherwise. Being halfway through with what feels like a rather large project - at only 6 ounces of fiber total, it’s not - is rather nice. I had a sneaking suspicion that would be the case. 

What I didn’t expect was that a routine of daily spinning would bring back my drive to knit on slumbering projects, draw more complicated sketches, and even fiddle around with video editing. At the beginning of March just the thought of that stuff made me tired. Now now. My Sockhead Hat is a few rows taller and my past due gift knitting is almost done. My sketchbook is getting full and I put together a short video of a bobbin filling up with chain-plied yarn. 

I wish I could put my finger on exactly why a daily project recharged my creativity. I’d certainly use the trick to hack my behavior on a regular basis. Maybe it’s seeing daily progress. Maybe it’s because I’m solving puzzles and focusing on the details. Whatever the cause, this high tide of creativity isn’t going to last forever, so I’m going to enjoy it while it’s here. Then I’ll enjoy the low tide too and take a break. When I’m ready to start making again, I’ll pick another daily project and see where it takes me.

A New Eye For Spinning Color

I’m happy to say that the #100handspunday project is still a daily thing. Aside from 1 day during the first week, I haven’t pushed a day off to do on the next. It’s hard for me to get going again once that little chain of “x’s” breaks for any reason. So I don’t stop, even on the long days. That’swhen I get handspun off the bobbins and measure yardage. Then there are the days when I can spin for an hour and go back for more after stretching my wrists.   

A little bit of flexibility has been key for me keeping this project going. The second part of Maggie Casey’s You Can’t Tell A Braid By It’s Color has also helped me spin every day. First, it’s a spinning class and you actually have to spin yarn. That took care of 2 days right there. Second, I had to spin samples for homework which took up a good chunk of last week. Third, the class pushed me right out my usual spinning comfort zone. 

We worked with several colors and fiber that I liked and wanted to try, such as the blue silk/wool single, but also colors that wouldn’t be my first choice. The rainbow single is a mix of bright saturatedcolors that I drafted together with more muted tones. I didn’t expect to like the combo (wish I’d taken a before photo of the fiber) and was pleasantly surprised at how the colors melded.

When I was spinning samples for plying, I paired like colors together. There was a semi-solid dark blue paired with bright blue and purple. Another pair was a solid red single and a striped blue and red single. The blues turned into the really interesting 2-ply on the left. 

The red pair turned into first attempts at different yarn constructions. There was a 4-ply cable, which I’ve only got a yard of, and the chain-ply, above right, spun with 2 plies instead of 1. I could have used an extra hand or two because you’re only looping 1 ply at a time and bringing the other along for the ride. Getting the tension right is trying. 

The skein in the middle is a bright red and purple fractal yarn. I’ve spun plenty of fractal yarns, but chugged along on this one because the colors aren’t my usual pick. Curious to see how it knits up. 

I had a few samples leftover so I spent yesterday plying them in different ways. Now I need to get them off the bobbins and set the twist. Also plied a few other leftovers that had been hanging around. Looking forward to all the mini-skeins that will come out of this. 

The class got me thinking about color and spinning in a new way. My previous modus operandi would be to to spin yarns to preserve the color with clear distinct stripes, chain-plying, or singles. If I was feeling more adventurous (and the dye pattern of the fiber was clear), I’d aim for a fractal. Or I wouldn’t bother at all and just spin a 2-ply or 3-ply. 

A post shared by April Klich (@aprilklich) on Apr 18, 2017 at 1:24pm PDT

I’m sure I’ll still do all of those things, but now I’ll sample to see how colors will blend and heather in the drafting. I’ll try to figure out how to pair wildly different colors and braids together to create a specific effect. I’ll give more consideration to how construction and yarn weight affect color. I’m also going to sample more and do it for fun. I really liked those bite-sized chunks of spinning because of how wild the results might be. It’s also given me an appreciation dyed with bright saturated colors because I know they can be tamed and changed. 

If you get the chance and you want to explore spinning color, You Can’t Tell A Braid By It’s Color is a class worth taking. You can read my thoughts about the first part of the class here. It’s changed my outlook on dyed fiber and gave me the tools to manipulate color through every step of spinning. Plus, it’s given me plenty of ideas for what to spin for the rest of my #100HandspunDays. 

#100HandspunDays and Homework

#the100dayproject and my 100 days of handspun started last Tuesday. I already missed a day, but I did make it up when I had both the time and energy to spin yarn. And, in a happy coincidence, the project kicked off the same week that I was going to a spinning class. Maggie Casey was teaching You Can’t Tell A Braid By Its Color, a 2-part class about different ways to spin and manipulate color. 

Part 1 focused on drafting. We got a few different kinds of dyed fiber to work with: top made of longitudinal stripes, semi-solid colors, heavily blended heathers, splotchy dye jobs, and top with long sections of color. I made fine fingering samples and bulky samples. I spun worsted, long-draw, and even over the fold. I spun the fiber as is, pre-drafted, and teased out sideways. I divided fiber into narrow strips to change the ratio of colors. All of this to see how these methods affected the color in the singles. Then I plied the singles back on themselves in either a 2-ply or chain-ply. 

Going into this class, I thought I knew a decent amount about how to spin with color. I’m not a beginner, but there’s clearly still a lot to learn. The thought isn’t disappointing or depressing. It’s exciting because there are still things to try and and techniques to play with. Learning anything is a journey, not a destination. 

2 of my favorite samples came from fiber that’s way outside my usual picks. I sampled with Northern Lights top in the very bright Circus colorway. The top yarn is spun without changing anything about the color at all. But for the bottom yarn, I held two sections of the top together so that drafting created an eye-catching heather. I’d knit with this yarn. 

My other favorite sample came from roving dyed by Hummingbird Moon. It’s splotchy with black, white, purples, bright green, and neon pink. Drafting mellows and heathers the colors so that they work together. The bright green and pinks create interesting pops of color that draw the eye instead of push it away. I’m rather smitten, and happy to have some of this fiber stashed away for later. 

I came home with a lot of samples and a bit of homework too. The next class is all about how plying affects color and I need to bring well-rested singles. Won’t be waiting to the last minute to get this done. I’m actually happy to have this assignment because it gives me a non-negotiable deadline inside my 100 Day Project. No figuring out what to do that day from a dozen possibilities. No convincing myself that I could just do it later.  Plus, the different colors and methods are a nice break from my long-term projects. Time to get back to spinning. 

100 Days of Handspun

One of goals for 2017 is to get back to my wheel and spin more yarn. Writing it down is one thing, actually doing it is another. So to keep myself accountable and accomplish this goal, I’m joining #the100DayProject. Simply put, the 100 Day project is a world wide art project where you do one small thing for 100 days. This cute video explains it well. 

I’m going to keep my rules simple and convenient so I can keep the project going for the long haul. Plus, I want to improve my improve my spinning skills and knowledge.

1. Sit down at the wheel and spin!
2. Fiber prep counts. So taking a few days (or weeks) to learn how to make batts or practice hand carding is encouraged.
3. Work out of the fiber stash and see just how far it’ll go.
4. On busy draining days, reading about fiber, breed characteristics, and yarn construction is a-ok. What good is having a spinning reference shelf if I never use it?
5. Share the day’s spinning on Instagram and in blog posts. I’m using #100HandspunDays to keep things organized.  

A post shared by April Klich (@aprilklich) on Apr 4, 2017 at 10:50am PDT

Today, April 4th, is Day 1 and first bit of handspun is on the bobbin. I’m continuing with the purple gradient - nothing said I had to start a brand new project after all. I’m on the 3rd of 8 nests and curious to see it all spun up. 

Are you doing #the100DayProject? What’s your one small thing?

Spinning a Gradient Part 2: Sampling

This post could also be titled “Sampling Is Your Friend And Will Help You Get The Handspun You Want”.  Doesn’t really roll of the tongue though.

After comparing the amount of roving I’ve spun and the amount that’s still waiting on my desk, it’s a pretty safe bet that I’m not going to be done spinning the gradient by Thursday. Any new fiber goodies I bring home from Interweave Yarn Fest will just have to wait until this is done. I’m a one project at a time kind of spinner. And this is good practice for the fine spinning I’ll be working on next. 

Since it had been awhile since l last sat down at my wheel, I decided to start with the smallest nest at the end of the gradient to get my sea legs back so to speak. Halfway through that nest I decided it’d be a good sample to figure out how to spin the rest of the 6 ounces. 

To be completely honest I wasn’t thrilled with what was on the bobbin when I finished. It was finely spun but hairy because I’d fallen into my default long-draw drafting style. When I brushed up on how to spin fine yarn, one tip was that you should be able to see through the fibers you’re actively drafting. I took that one a little too far because there were times I could have counted the individual fibers going into the single. This wouldn’t have been a problem if I could have put in enough twist during drafting, but I don’t have the right tools to put that much twist into so fine a single.

The single rested over night so I could chain-ply it the next day. I had a few reasons for chain-plying. One, I like how it looks after finishing. Two, I wanted to preserve the colors as much as possible. Three, and this reason is purely practical, it would be easier to keep the gradient in order as I worked. 

It’s normally pretty easy for me to find a rhythm making the “chains” and plying, but not when the single keeps breaking. I had to join it together or at least fake it more than 4 times. Got it done though. Let it rest another night before skeining it up. The skein was definitely lace weight and about 49 yards.

I set the twist by soaking the skein in cool water with Eucalan, snapping it over my hands, and hanging it up to dry. The transformation was amazing. The yarn plumped up into an airy woolen spin. It definitely wasn’t lace weight anymore and ranged from fingering weight to sport weight. The twist even seems reasonably balanced. Happy ending, right? Kind of. The yarn is beautiful but a complete hassle to spin and not the smooth handspun I want. 

So I changed two things for the second nest which have had a big impact. One, I’m making an effort to spin with the inch worm forward draft and not fall into long-draw. It’s slow going but the latest single is much smoother and even shiny. Two, I’m spinning this single a little thicker. I can still see through the drafting triangle but I can’t count the individual fibers. Much happier with single #2 and I’m definitely planning to spin the other 6 nests this way. Lucious handspun gradient, here I come. 

Time To Spin A Gradient

Interweave Yarn Fest is at the end of the month and I’m ready. I’ve decided which day to go, bought my ticket, and am making up a shopping list. That list is pretty short so far: an orifice hook for my wheel, roving from Brown Sheep Yarn Company, and fiber for a commissioned spinning project. Of course this list could definitely grow. :)

I enjoyed walking around the show last year and made some considerable stash enhancements. Unfortunately I haven’t knit or spun anything that I bought, which I’m aiming to change before going back to Yarn Fest this year. My knitting list is pretty full at the moment, but I’ve got room in my brain to spin. And plenty of empty bobbins to fill. After digging through the stash I was drawn to a ball of roving bigger than my head. 

The next step was unrolling the ball and reminding myself what was inside. I kept unrolling and unrolling and rolling until the roving was laid out in 45” x 66” rectangle! What I found was a lovely, muted gradient. Before I unrolled the roving, my plan was to randomly pull sections and make 3 skeins of 2-ply. The gradient made me reconsider. I split the roving into the major color changes and wound them into nests. I’m going to spin each nest and chain-ply them in the order I found them. Don’t know if I’ll finish before I make it to Yarn Fest, but I’m going to try. As for what the yarn will become, well, a semi-circular shawl sounds pretty good right now.